MISSION STATEMENT
I've always understood the struggles of the writing life—the driving artist, aspiring toward publication. To get your work out there, really looked at, truly noticed, takes so much heart and effort and patience and resilience. I decided years ago to create a space for people taking on the struggle, a venue to give those writers and artists a truly fair shot at publication and the chance to be seen, read, and recognized—no connections, no solicitations, anonymous reading. Here, the quality of work is all that matters. A fair chance for everyone—the underdogs, the in-betweeners, and the already established.
BLACK LAWRENCE PRESS: FEATURE ARTICLE
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Sapling talks with Jonathan Starke, founding editor of Palooka.
Sapling: What should people know who may not be familiar with Palooka?
JS: The magazine was founded to give a fair chance at publication to writers, artists, and photographers, regardless of their demographics, who they are, where they come from, or who they know. We read submissions without personal identifiers, don't solicit work or publish friends/associates, and only publish unsolicited materials. We strive to create fun and unique covers and offer eclectic works that interest a wide variety of readers.
Sapling: How did your name come about?
JS: I used to box and am a big fan of combat sports. A palooka might be defined as "an inferior or average prizefighter," but I don't see it this way. I see a palooka as someone who works hard and with passion but might be struggling to take a bigger step forward. To me, it's not about lacking ability or heart but lacking the right opportunity, that stroke of luck.
Sapling: What do you pay close attention to when reading submissions? Any deal-breakers?
JS: For me, it's more about feel. I love strong voices, unique situations, close attention to the line. I wouldn't say there are any "deal-breakers," but I'm not much for flowery language, too much detail, or unnecessary exposition.
Sapling: Where do you imagine Palooka to be headed over the next couple years? What’s on the horizon?
JS: We've been publishing a chapbook a year through our imprint, Palooka Press. I'd like to one day publish full books—novels, poetry collections, story collections, memoirs. Maybe even a graphic novel or a book of comics.
Sapling: As an editor, what is the hardest part of your job? The best part?
JS: I hate sending rejections. It feels awful to say "no" to struggling artists and writers, but you have to print what moves you, work that you deeply feel. Saying "yes" to a piece and offering an acceptance is probably the best part. Though corresponding with submitters and those interested in arts and the magazine is also really wonderful.
Sapling: If you were stranded on a desert island for a week with only three books, which would you want to have with you?
JS: A thorough survival guide, Old Man and the Sea, and a giant coffee-table book of the world's greatest paintings.
Sapling: Just for fun (because we like fun and the number three) if Palooka was a person, what three things would it be thinking about obsessively?
JS: Fairness. Its many writers and artists. How to improve the magazine and make the publishing experience better.
Jonathan Starke is a former bodybuilder and boxer. He's harvested seaweed in Ireland, given free hugs in Spain, and flipped pancakes in Denmark. He loves riding trains and wondering about the lives unfolding outside the window. His biggest passions are learning and travel, and he's ventured to dozens of countries via hitching, couch surfing, and working exchanges. He plays piano, makes handcrafted soap, and thrives on diverse workouts and anything related to helping others, especially in the arts. You might find him watching old pro-wrestling matches on Sunday evenings. You might not.
JS: The magazine was founded to give a fair chance at publication to writers, artists, and photographers, regardless of their demographics, who they are, where they come from, or who they know. We read submissions without personal identifiers, don't solicit work or publish friends/associates, and only publish unsolicited materials. We strive to create fun and unique covers and offer eclectic works that interest a wide variety of readers.
Sapling: How did your name come about?
JS: I used to box and am a big fan of combat sports. A palooka might be defined as "an inferior or average prizefighter," but I don't see it this way. I see a palooka as someone who works hard and with passion but might be struggling to take a bigger step forward. To me, it's not about lacking ability or heart but lacking the right opportunity, that stroke of luck.
Sapling: What do you pay close attention to when reading submissions? Any deal-breakers?
JS: For me, it's more about feel. I love strong voices, unique situations, close attention to the line. I wouldn't say there are any "deal-breakers," but I'm not much for flowery language, too much detail, or unnecessary exposition.
Sapling: Where do you imagine Palooka to be headed over the next couple years? What’s on the horizon?
JS: We've been publishing a chapbook a year through our imprint, Palooka Press. I'd like to one day publish full books—novels, poetry collections, story collections, memoirs. Maybe even a graphic novel or a book of comics.
Sapling: As an editor, what is the hardest part of your job? The best part?
JS: I hate sending rejections. It feels awful to say "no" to struggling artists and writers, but you have to print what moves you, work that you deeply feel. Saying "yes" to a piece and offering an acceptance is probably the best part. Though corresponding with submitters and those interested in arts and the magazine is also really wonderful.
Sapling: If you were stranded on a desert island for a week with only three books, which would you want to have with you?
JS: A thorough survival guide, Old Man and the Sea, and a giant coffee-table book of the world's greatest paintings.
Sapling: Just for fun (because we like fun and the number three) if Palooka was a person, what three things would it be thinking about obsessively?
JS: Fairness. Its many writers and artists. How to improve the magazine and make the publishing experience better.
Jonathan Starke is a former bodybuilder and boxer. He's harvested seaweed in Ireland, given free hugs in Spain, and flipped pancakes in Denmark. He loves riding trains and wondering about the lives unfolding outside the window. His biggest passions are learning and travel, and he's ventured to dozens of countries via hitching, couch surfing, and working exchanges. He plays piano, makes handcrafted soap, and thrives on diverse workouts and anything related to helping others, especially in the arts. You might find him watching old pro-wrestling matches on Sunday evenings. You might not.